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Adele Reviews

Adele by Leila Slimani


Leila Slimani

3.80 out of 5

13 reviews

Category: Erotic Fiction, Fiction
Imprint: Faber & Faber
Publisher: Faber & Faber
Publication date: 7 Feb 2019
ISBN: 9780571331956

Eventually, she completely loses control of her existence. Written in prose of elegant - but never bloodless - neutrality, Leila Slimani's second novel published in English explores not so much promiscuity as the modern-day pressures that drive Adele into this perilous loss of self.

  • The BooksellerEditor's Choice
5 stars out of 5
Alice O'Keeffe
2 Nov 2018

"A dark and unsettling examination of sexuality told in Slimani’s distinctive stripped-back prose"

Lullaby was an Editor’s Choice for me when it was published in January 2018 and this, Slimani’s actual début—published in France under the title Dans le jardin de l’ogre—is just as riveting. We follow Adèle, a married mother-of-one who works as journalist in Paris and hides a secret. She is compulsively drawn to sex with strangers, an addiction which, on the one hand, seems certain to destroy her life and, on the other, makes her feel truly alive. A dark and unsettling examination of sexuality told in Slimani’s distinctive stripped-back prose.


4 stars out of 5
Lauren Elkin
21 Feb 2019

"there’s an enviable clarity and forthrightness to Slimani’s writing"

For an unsexy book about sex addiction, you can’t do much better than Leïla Slimani’s Adèle... There’s an enviable clarity and forthrightness to Slimani’s writing, both in French and in Sam Taylor’s capable translation... In the 19th-century novel, Madame Bovary included, female characters are given two possible outcomes – marriage or death. Slimani’s novel refuses both, choosing instead an ending in which it cannot be said precisely what has happened to Adèle...

3 stars out of 5
Lara Feigel
14 Feb 2019

"Adèle’s desire to live a fantasised version of her own life seems to mirror Slimani’s desire to write sleek, fantastical prose, not quite committing to building a three-dimensional world."

Slimani’s novels are hard to categorise. They combine the pace of the thriller with the flatness of tone that we might associate with Michel Houellebecq, or indeed with Camus and Robbe-Grillet. Like those writers, Slimani is drawn to revealing the hellishness of the ordinary and the ordinariness of hell. But this isn’t social satire or commentary. Class and race matter – in Lullaby the employer was of north African descent and the nanny white; here Richard is upper class, Adèle working class...In many ways, Adèle is a modern-day Madame Bovary, but the book itself has less in common with Flaubert than with the sensation novels that Emma Bovary reads addictively. Slimani is trying to shock, arouse and titillate us with extreme mental states. Addiction makes a good subject for her because Adèle’s desire to live a fantasised version of her own life seems to mirror Slimani’s desire to write sleek, fantastical prose, not quite committing to building a three-dimensional world.

4 stars out of 5
Isabelle Broom
9 Feb 2019

"Erotic fiction at its best"

From the bestselling author of Lullaby comes this new and equally sharp-edged literally tale about love, desire and female sexuality...erotic fiction at its best.

4 stars out of 5
Daisy Buchanan
7 Feb 2019

"both timeless and shockingly contemporary"

Adèle is a brilliant and bothersome book. The story itself is not new, but Slimani has birthed an everywoman anti-heroine who is both timeless and shockingly contemporary. Readers of Slimani’s last novel, the bestselling Lullaby, won’t be surprised that the author has not crafted any characters that are especially or obviously likeable. Yet Adèle is strangely and irresistibly appealing, to her conquests and to readers... This is a polarising novel, but it contains important truths about the way women live and think. It deserves a broad and broad-minded readership.

3 stars out of 5
James Marriott
2 Feb 2019

"It is best enjoyed (and it is enjoyable) as spritely, spirited, bourgeois-shocking juvenilia"

Adèle’s self-destructive promiscuity is never adequately explained. Sometimes it seems like straightforward nihilism, sometimes an addiction, sometimes it even feels philosophical (“that magical feeling of actually touching the vile and the obscene, the heart of bourgeois perversion and human wretchedness”).Adèle is hamstrung by Slimani’s lack of psychological investigation and her indecision about why Adèle is the way she is. It is best enjoyed (and it is enjoyable) as spritely, spirited, bourgeois-shocking juvenilia from one of France’s most interesting contemporary writers.

4 stars out of 5
Johanna Thomas-Corr
1 Feb 2019

"a riveting and psychologically rich novel"

The 37-year-old French-Moroccan author has published here another artful, melancholy book, presenting a complex picture of modern womanhood. With shades of Madame Bovary and Gone Girl, it’s the novel most likely to divide your book club this year... Slimani is a fearless writer who pulls back the curtain to show what secretly thrills and terrifies women... Her uncompromising style is her strength and weakness... It’s still a riveting and psychologically rich novel, its final pages particularly stirring... It’s a story that will strike a chord with many women. 

4 stars out of 5
Cyan Turan
1 Feb 2019

"an erotic tale of compulsion and desire"

My blood ran cold while reading French author Slimani's bestselling debut, Lullaby. Now she returns with a story about an eponymous Parisian journalist who appears to have it all - apart from sexual satisfaction. An erotic tale of compulsion an desire. 

  • The GuardianBook of the Day
4 stars out of 5
Alex Clark
29 Jan 2019

"Adèle is a tough read, but a bracing one; little concerned with reader-pleasing narrative treats, but provocatively enigmatic"

Slimani’s slender, elegantly written and translated novel is filled with such disturbing images, and her capacity to shock will come as little surprise to readers of her previous novel, Lullaby, which opened by revealing the brutal aftermath of the murder of two small children. And in that novel, too, she took us into the painful, tumbled vortex of female subjectivity, with its complex trade-offs between obligation and appetite, its desire for liberation tussling with the question of what that liberation might yield... Adèle is a tough read, but a bracing one; little concerned with reader-pleasing narrative treats, but provocatively enigmatic. 

4 stars out of 5
Louisa McGillicuddy
27 Jan 2019

"Slimani is one of the few contemporary authors...writing intelligently about motherhood today"

Slimani is one of the few contemporary authors — along, perhaps, with Rachel Cusk and Deborah Levy — writing intelligently about motherhood today.The source of her discontent is never made clear... Yet the tight pacing and spare style that had readers hooked to Lullaby is still here. It might not have the same shock factor, but this quieter novel looks at loneliness, shame and the search for independence in a way that is just as thrilling.

4 stars out of 5
Boyd Tonkin
25 Jan 2019

"unsparingly lucid prose, elegantly translated"

Slimani evokes the “prosaic vulgarity” of these dismal couplings in unsparingly lucid prose, elegantly translated by Sam Taylor. She finds images for Adèle’s howling loneliness in the objects and decor that witness her adventures... In taut, lithe prose, Slimani’s novel digs for the roots of that sorrow and that fear. Its clarity only deepens its compassion. Yet a sense of mystery abides. Out of that darkness, the “shadow” behind Adèle, Slimani has made a tender and troubling novel rather than a psychiatric tract.

3 stars out of 5
Molly Young
23 Jan 2019

"the central idea of the book is a fascinating one"

Although the misery is universal, this story is uniquely, and often amusingly, French... Possibly because of the book’s Frenchness, nothing about Adèle’s behavior is pathologized until the very last pages... If the central idea of the book is a fascinating one, the prose is not always impeccable. Dialogue can be flat. Clichés are abundant. Still, I liked this earlier novel much more than “The Perfect Nanny,”... Adèle has glanced at the covenant of modern womanhood — the idea that you can have it all or should at least die trying — and detonated it.

3 stars out of 5
Kamil Ahsan
14 Jan 2019

"It delivers that pulpy quality one should never have expected from Slimani in the first place."

Slimani is obviously not Gillian Flynn. She may have an affinity for the lurid, but her true interest is in who these women really are. And while The Perfect Nanny ends up with infanticide and Adèle with something far more ambiguous, it’s the former that manages to lay a firmer grasp on universality. Well before the book’s grisly ending, the middle-aged nanny becomes a symbol of the exhaustion of motherhood and the impossibility of do-overs, a character worthy of sympathy. The first impression Adèlegives, however, is perhaps its most effective: The English translation never uses the word “nymphomaniac,” but it’s hard not to roll it around in one’s head and wonder why it’s not considered grossly misogynistic in common parlance. It’s the sort of thing Slimani is likely to draw out from her readers by steeping them so deeply into the psyche of her seemingly depraved women. There is no great twist in Adèle, and perhaps even no ultimate judgment.