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Crucible Reviews

Crucible by Charles Emmerson

Crucible

The Long End of the Great War and the Birth of a New World, 1917-1924

Charles Emmerson

Score pending

2 reviews

Imprint: The Bodley Head Ltd
Publisher: Vintage Publishing
Publication date: 5 Sep 2019
ISBN: 9781847923967

Outside the classic frames of war and peace, these all-too-human tales - funny, tragic and fateful - tell a wider story of the exuberant dreams, dark fears, grubby ambition and sheer chance which marked Europe's post-war metamorphosis, and the century to come.

  • The ObserverBook of the Day
4 stars out of 5
Peter Conrad
19 Nov 2019

"This buoyant study of life after the great war illuminates the part that chance plays in history"

Emmerson writes history as if it were journalism, a daily tally of happenings that depend on chance and have unforeseeable consequences. Narrated entirely in the present tense, his enormous book accompanies the blundering of politicians from Washington to Istanbul as they discover that “it is much harder to end a war than to start one”; it treats the past as a farrago of miscalculations and mishaps, every bit as confusing as the present... The fragmented form of Crucible matches its content. “How,” asks the zany dadaist Tristan Tzara, “can one contemplate ordering the chaos of humankind’s infinite, formless variation?” Though never formless, Emmerson’s book dramatises that variegated chaos, dodging to and fro across the globe and veering between tragedy and farce, high politics and low culture. 

Reviews

3 stars out of 5
1 Oct 2019

"I don’t know who this will attract, but it would be a shame if it were to put off the readers an achievement like this deserves."

As the title suggests, it is not simply the events and attendant neuroses of these immediate postwar years that Crucible addresses, but also the world to which they gave birth... All this is cleverly, sometimes brilliantly done, but at the same time there is a risk in writing history that focuses as heavily as Crucible does on the role of the individual. There are obvious advantages in providing immediacy and colour, and this book has bags of both, but in writing ‘the collective diary of an era’ there is not just the danger facing any diary writer – the temptation to write about things that are not in themselves interesting – but also the risk of losing sight of the wider sweep of events in a blizzard of mundane detail. It is a hard temptation to resist – trivia has its own seductive appeal – and this, I suspect, is a book that will polarise readers. It is a bolder, more imaginative work than 1913 and yet one that offers some hostages to fortune. It seems almost, at times, as if Emmerson is not quite sure who his audience is. For an author who writes so well and whose book is so firmly rooted in scholarship, he shows a curious determination to disguise his academic pedigree.