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Red Comet Reviews

Red Comet by Heather Clark

Red Comet

The Short Life and Blazing Art of Sylvia Plath

Heather Clark

3.75 out of 5

4 reviews

Imprint: Jonathan Cape Ltd
Publisher: Vintage Publishing
Publication date: 15 Oct 2020
ISBN: 9781787332539
3 stars out of 5
Claire Lowdon
25 Oct 2020

"This exhaustive look at Sylvia Plath’s turbulent life is determined not to apportion blame"

This is the first full biography to draw on all Plath’s surviving letters and to incorporate interview material from Harriet Rosenstein’s unfinished 1970s biography. Clark is strong on the poetry and on the mutuality of the couple’s artistic collaboration. At times she is a little too meticulously granular, too reluctant to give us her own take.

Reviews

5 stars out of 5
Laura Freeman
18 Oct 2020

"Plath’s resilience, genius and insight blaze through the book"

Red Comet is a mighty achievement. Clark is compassionate, clear-eyed, sceptical. Each chapter reads with the ease of a novel. You feel the smart of every rejection letter, share Plath’s elation in each published poem, read the recreation of her first suicide attempt with a tightening chest and reel through the night when she met Ted Hughes with drunken exultance. I couldn’t put it down; I could hardly pick it up. The book is a whopper: 1,152 pages, 971 without notes.

4 stars out of 5
11 Oct 2020

"A terrific, even-handed biography of Plath frees the poet from the narrow view of her as ‘a mind on course for suicide’"

Careful to set down the facts without the rancour of earlier feminists and to preserve as fully as possible the complexity of the situation, Clark quotes Hughes’s cruel words that cut through the assurance of Plath’s public carapace: her looks and ways in bed were inferior, he told his wife, to those of his mistress, Assia Wevill. Plath reports that when he left her and their two children, it occurred to him that she might conveniently kill herself. She alleged earlier domestic violence resulting in a miscarriage. In the latter half of 1962, she lifted her head in loud bursts of crying in their dream home, Court Green, in Devon.

3 stars out of 5
8 Oct 2020

"By the end of this enormous biography it’s clear that Clark sees Plath as something of a martyr"

There are other omissions in Clark’s book which taken together suggest a degree of self-censorship. Of course, the great unsaid here is Clark’s desire for copyright approval — the permission needed from Plath’s daughter, Frieda, to quote from Sylvia’s work. You sense a fear that if the author had been too critical of Plath then permission would have been refused. But unfortunately the trade-off results in a biography that, for all its merits — its great readability and astute analysis of the poetry — is in danger of becoming that dreaded thing: a hagiography.